Steven Moffat was seated at his computer one summer’s day, seeking ideas for the next Dr Who Christmas special. Suddenly an angel appeared to him and told him this tale:
Once upon a time, in a world (beyond worlds), on a planet not so very unlike our own – yet unlike our own - there was a time travelling hero called Dr Woe, a fellow who turned up wherever there was danger and saved the day. Unlike you or me he could live forever and proceeded to do so.
But there was one menace he never managed to defeat, the Dahl-Hicks mechanism, a sort of exterminating engine for killing rats, said to be created by two misguided Victorian inventors Ray Dahl and Terry Hicks. Somehow it mutated beyond its original programming to spread out across the universe treating everyone as vermin and destroying whole peoples and planets.
‘Why, Doctor Woe, why can’t you destroy the Dahl-Hicks?’ he was often asked. (I can’t remember who by).
‘Oh, I don’t know,’ he chirped back, on the way to the fez shop.
Then one day, the Dahl-Hicks (mechanism) decided to attack the very planet of Dr Woe himself and annihilate the Timid Lords themselves, a quiet folk who never interfered with time (itself), or space, or each other’s cheese.
As the great plastic and pretend towers of the Timid Lord planet melted and crumbled at the attack of the Dahl-Hicks, their High Council begged him.
‘Please Doctor, only you can save us!’
But the Doctor could not, and to explain why, he said many things very fast that barely seemed to make sense.
So the Timid Lords used a time straw to suck up the Doctor from his own childhood, (before he became so super-clever no-one could understand him), and sent Doctor Zero back to the Genesis of the Dahl Hicks, a dangerous six-parter, to see if there was any point in the action where new footage could be inserted in order to change history and prevent their creation.
But young Dr Zero found a very strange thing. Travelling back through the lost pages of time he found no trace of any Victorian inventors called Ray Dahl and Terry Hicks.
When he did finally track down the inventor of the evil robots he was shocked to see their creator looked like a grown up version of… himself. Because it was a grown up version of… himself!
The young Doctor fast-forwarded through time, to his own planet, where the Time’s Up War was raging. In the Null-field of the Dubious Metaphor he saw a burning Dahl-Hicks mechanism screeching at the older Doctor (himselves!)
“Please Doctor, I beg you – let us stop this horrible slaughter! It is making the Dahl-Hicks the most hated name in time and space!”
“Sozzer,” quipped the Doctor, in a cold, cruel tone. “I invented you centuries ago to blast the life energy out of entire races, so that I could follow in your wake, feed on their death energy, regenerate and live forever. Without you angry pots peppering the universe with death, I would be a goner. All hail me!”
“But Doctor – your OWN PEOPLE!” the Dahl Hicks sobbed. “Have you no mercy?”
“I cannot have mercy,” explained the pin-striped charmer, “For it is predicted in the scrolls of the Scrells that one of my own kind will learn my secret and destroy me. Therefore to preserve my secret, and provide me with enough energy to truly live forever, all the Dahl Hicks and Timid Lords must die in the Great Time’s Up War. A war so big-budget the truth of it will never be known!”
The Dahl Hicks mechanism suddenly saw a small figure lurking in the shadows, a sad-eyed child.
“There!” It barked. “The one who discovers your secret! It must be that kid – for he just overheard your whole confession!”
The Doctor whirled round, wild-eyed – to gaze upon his younger self. The last of the Dahl Hicks, unable to go against its programming shouted, “Exter –“
“This is completely unbelievable!” protested Steven Moffat. “I’ll take it!”
and he gave the angels a couple of passing carol singers to eat and – oh dear – it was supposed to be summer wasn’t it? Time itself collapses.
Merry Christmas anyway!
A friend of mine, Mr Ian Tolley, said to me recently that time moved in slower circles up in Scotland than it does down south. I was inclined to agree with him, until I made a journey this week. After many years’ absence I made my way to Carpenders Park, a lost suburb of Greater London, somewhere between Watford and Wembley. I was there to see my uncle, who is recovering from an operation.
In this place, so familiar to me from my childhood when I used to regularly visit my grandad, time seems to have slowed to a stop. We are in the backwater of a slow river, where the gleam of movement has been replaced by the slow thickening of sunlight and the basking of water-lilies.
How weird it was, and yet totally appropriate, to find the station just as I remembered it, with the long, easy slope down to the exit, seeming to prepare you for the long, easy amble of life on the outside.
Near the station, quiet strands of little-used shops sat exactly where I had left them years before, a small florists, the taxi service, post-office, and the little betting shop my grandad used to sit me outside while he placed his money.
Carpenders Park has the air of a small Devon village, yet it is just on the edge of the seething capital. Life seems to pass unremarked. On this Friday lunchtime, in the sunny lanes people wash their cars as if living in a perpetual Sunday.
The shopping parade has no name, no roof, no highlights. Shops have no jokey names and no pretensions. There is no Starbucks, no Prêt a Manger, just shops that call themselves what they are. How weird is that? And they sell cuts of lamb and cream buns that look and are exactly the same as they would have been in the seventies.
I would have said this is a place without imagination except I spotted a wooden rhinoceros in the middle of the precinct – part of a curious gesture at a playground.
Posters for gigs never make it out here. There is just a half-hearted smidge of graffiti. Old men and shaven-headed youths stroll around walking dogs, buying sports papers and chatting easily. They seem outside the rat race, a different type of person uninfected by the stresses of modern ideas.
For a moment I am wooed into the easy consensual world of my teenage years. It is hard, walking these pavements, to imagine we live in a world of quantum physics, push-notifications, terror-cells and bank bail-outs. It’s hard not to believe that every man sits down to the same pint and pie, supporting the same team and wanting pretty much what his neighbour wants.
My uncle has lived there since the early 60s, and when I asked him recently what the area was like these days, he said indignantly ‘Carpenders Park? I never go there.’ It struck me as funny that as far as he was concerned he never went where he actually was.
When I returned to the station, I suddenly noticed that according to the signs there, Carpenders Park is to your right when you leave the station, not to the left where I have always gone.
So I guess the place I’ve been going to doesn’t actually exist – or if it does… it certainly isn’t Carpenders Park.
I often used to wonder what authors did before they turned up at signings, how strange and wonderful their lives were, and I suppose now, to a certain extent, I know.
I travelled to Kew Gardens yesterday, to talk at the Queen’s School (not at the plants), and on the way, my mind seemed to unravel a series of curious thoughts.
As I cycled to the station, it was barely dawn, all mystery and foxy as my wife would say. The trees gathered in darkness, with low lying mist wrapped around their roots, made me imagine Cambridge as it was hundreds of years ago, before the houses were built: a tangled woodland ringing with nightingale song, perhaps.
My part of Cambridge is near to Cherry Hinton and I wondered if the straggly old cherry trees, some now cornered in suburban gardens, remembered the old days of the Great Wood that legend says stretched from one end of these isles to the next, so that a squirrel could spring from Land’s End to John O’Groats without touching the ground.
On the train I looked out of the window and saw a jet trail, but imagined it as a vast, crystalline, sky-ranging, serpentine, sea-horse-like creature – possibly because I had been listening to Peter Serafinowicz’s Radio 6 podcast in which he describes alternate life on earth (in the voice of David Attenborough).
“This creature’s name would take a human being hundreds of years to pronounce, but for our purposes we’ll call it an alternate elephant - although its closest relative in our dimension is probably a robin. Truly one of alternate nature’s giants – so big it has its own sun and moon orbiting in a triple nine formation. But it’s also so small it’s in constant danger of being crushed… by atoms. It’s favorite meal is Time, and indeed in one sitting this elephant can devour 20,000 years in just under a second.’
Magical stuff. Check out his Radio 6 podcast on Joy of Six. http://itunes.apple.com/gb/podcast/th
After this my mind turned to my talk – partly about monsters. Should I mention Grendel, one of the first literary monsters, from Beowulf? The strange thing about this story, is that after the hero kills the creature he has to face… Grendel’s mother! This is a formula that not many subsequent stories have followed. Imagine the hero putting a stake through Dracula’s heart, only to hear the vampire gasp out, with his final dusty breath ‘you fools, you have not won! Now you must face… my mum!’
Arriving at Queen’s School, Kew, the sense of unreality was heightened by the fact that everyone – staff and pupils alike – were dressed as children’s book characters. Strange remarks could be heard from the corridors, like: ‘Oh no, I’ve broken my tail!’
Photos of previous school visitors in the reception included a NASA astronaut and Colin Firth. Helium balloons surrounded the stage where I was due to give my talks, with Pooh and Tigger already waiting patiently.
I talked about Candle Man in the morning (Not mentioning Grendel’s mum), then in the afternoon showed one of my epsiodes of Shaun the Sheep to the infants.
Me: “Shaun stories are about 7 minutes long – how long do you think it takes a team of grown men and women to make them?”
Child: (after some thought) “EIGHT minutes!”
In the heady atmosphere of nostalgia and anything seeming possible, even the school dinner smelt delicious, but as my wife texted to warn me – it probably smelt better than it tasted. During my book-signing in the library, I had to make do with four bakewell tarts instead – or is that just fantasy too..?
Happy World Book Day, and thanks to the Queen’s School for a great day.
For my son’s birthday we took a bunch of terrified kids on a ghost tour of Cambridge – on a Saturday evening, perfectly timed as dusk turned into night and the old lamps came on in the chilly backstreets of the historic town centre.
Leading the tour was Nancy, who cut quite a ‘Woman in Black’ figure herself. Come to think of it, she did rather vanish into the night at the end.
What I loved about the tour, as well as the spooky tales, was the way Nancy picked out tiny details in the buildings around us that revealed history, stories and secrets. A never-before-noticed stone carving of a dog baying from the roof of a house, commemorated a tragedy that once occurred within. A tiny, goblin-like charm incongruously placed in a photography shop window, hints at the presence of a hideous half-torso phantom that visits from time to time…
(The bottom half – if you really needed to know!)
I was particularly pleased to hear that Jamie Oliver’s restaurant was once haunted by a ghostly librarian, who delighted in tidying up books. Quite a handy ghost to have, in fact.
Eerily of all, a seemingly charming piece of ironwork, apparently just showing a house’s number but in fact revealing – from certain images in its decorative detail – for instance a gallows tree – that this was once the house of the Cambridge hangman! Ghostly customers may return to his doorstep, one imagines, to grumble a bit.
It was intriguing to hear about Cambridge’s famous new (ish) Relativity clock. My son had asked me a while back why it had a monster on top, and I jokingly told him that it was there to eat the seconds as they passed. This flippant explanation turned out to be true – apparently the weird beast is intended to be a chronophage – a time-eater.
This clock was slightly shoe-horned into the ghostly theme, by Nancy pointing out that clocks, as they tick out the seconds, remind us all that we are all being hurried along to our graves! One of the mums did stifle a snort of disgust at this macabre remark.
If you’re looking for something offbeat to do with your kids you could do a lot worse than creep around the backstreets of Cambridge on a myth-haunted night. Perhaps the scariness was all the more pleasurable knowing that the cold outing would end up with us being crammed into Gourmet Burger Kitchen at the end.
The pleasure children have at anticipating their birthdays and all the attendant hulabaloo, is only matched by the delight of the parents – sigh – when the whole thing is over for another year.
This week I went to Westbourne Sports College in Suffolk to talk about Candle Man and monsters. They have an enormous split level library there, which has that wonderful feast for the senses of nostalgia and aspiration, the piles of tempting books and the spider plants trailing their tentacles down the wooden shelves. I swear time stopped still, as they left me alone in the middle of the day to rest between two 100-minute sessions, and I sat on one of the small tables, my legs swinging gently back and forth, the Autumn sunlight slanting through the tall windows; stopping to taste the moment.
The library surprised me. Walking around it was like being in Waterstones, all the books on view were current big sellers – I saw Skullduggery Pleasant grinning out of a poster, Charlie Higson’s shining new tome, also Vampirates, Dr Who cash-ins and the latest mutant variations on the Horrible Histories formula. All new, all now.
‘We have to grasp the nettle’ the librarian said, ‘If we don’t get the latest books the children won’t read.’
In my session with the class I found only one child that could name the author of Lord of the Rings. Everyone liked Wimpy Kid and Captain Underpants. Even a great book from the recent past, Mortal Engines, was unknown.
It was strangely touching to walk among the reference shelves and see the edge of modernity… because as soon as you visited the section devoted to science, facts, discovery – all the books looked old, faded, left behind. Of course, everyone goes to the internet for their facts now. Maybe those books will sit there forever, washed up on the beach of time, their facts fossilised at the high tide-mark for printed information.
Imagine living in a time where only Now is important. We are evolving fast as a species, taking on new ideas and fears at an accelerated rate – never before have our past worries flashed so swiftly into the past – to be replaced by shiny new ones. We update our monsters regularly, renew our heroes almost every other year.
Mankind always used to dig into its past for marvels – but to my son’s generation, nothing is more exciting than what is happening now in the world. He glances into the Apple Store window with the awe and reverence I used to keep for the window of the comic shop and the record store.
Ancient philosophers have often said that the art to life is living in the now. But is this what they meant? Now can be a delightful instant of magical time – a moment of waking up from the sleepwalk of life and actually seeing the dust motes dance in the November light. It can also be an updated website, a bulletin from the machinery of the world bringing our new worries and hopes.
Have we entered the realm of the 2-Speed Now?
Now I’ve got to the point I was trying to make I find I don’t know what the heck I’m talking about…
While away with my family at Old Hunstanton, we spotted this unnecessarily spooky painting at the delightful Caley Hall hotel.
A ghostly figure, motionless, stares out at you from a dark wasteland. Sara noticed the appearance of an apparently headless dog by its side. Fortunately,a full moon rides in the sky, so perhaps this apparation is limited to only 12 appearances a year…
Exploring the environs, it turned out (spookily) that much of the area was once owned by the Le Strange family (all a bit Scooby-Doo-ish), which led us to us discovering this local inn…!
On a whimsical note I also noticed evidence of a society of tiny beings having once lived on the beach. One evening I found the remains of what appears to be one of their ceremonial sites, possibly a fort, or magical meeting place, now sadly eroded by wind and weather…
This is a sight I see every time I pass through Earl’s Court station, a vision that haunts me – of a clock without any hands. Lifeless, it seems to flatten out and become part of the wall, a mysterious motif instead of a machine.
Devoid of meaning it seems a relic of a bygone age already. What would Future People think, unearthing this artifact? Is it a decoration? A picture of the sun?A warning about some kind of explosion?
I wonder if their imaginations would even connect it with time at all. Why is it circular? Isn’t time a straight line?
What could the twelve points on it possibly mean? The number seems so artificial since the number twelve is a human invention – unless they connected it with the twelve full moons of the year and deduced some kind of loosely connected order in it.
Seeing this empty face without the domineering decree of its hands and the august authority of its timekeeping, takes my mind out into a place that is both unnerving and refreshing to visit. We humans have invented time, given little bits of it names, like the second (if it is second, then what came first?) And yet, in a sense, there is no such thing as an hour, or a minute – we invented them and now they pull our consciousness to bits, make us late or early – we are progress-addicts, desperate to look up at that clock on the wall and realise with joy that we have nearly made it into another hour – an achievement that has no real existence. We can only really claim such graceful behemoths as years and their twelve moon-children the months.
Insects don’t have seconds, even though some of them only live for a day. No tortoise ever stopped to look at a watch or boasted about his age. Yew trees can live for thousands of years yet have no idea what a thousand is, or means, and are probably better off for it.
Are there clocks in heaven?
If you were thinking it’d be good to do something to help after the Japan Tsunami, but didn’t know how to get started, here is a cool way, which will also expand your mind and enrich your cultural life! No kidding
The Spirit of Hope, a book put together by the Comic Book Alliance and masterminded by Tim Pilcher and Alan Cowsill, contains specially produced comic strips, from an amazing variety of creative people.
We all recall the day we heard about the Tsunami. I had to sit my son down with a globe of the world and try to show him how the big wave could not make it across to Cambridge. Of course, you feel helpless in the face of such a catastrophe, but in a small way the proceeds of this book will help. ORDER HERE:
I have been immersed in writing Candle Man recently – in fact I even swore off comics for a bit. But being asked to join the Spirit of Hope was a great excuse to bring a couple of my favourite characters back to life in my Temptation strip. I had not drawn with my scratchy old pen for so long, my ink had reverted into two component parts, and inside the glass pot was a black rubber ball and a thin grey watery mist. When I went down to the art shop to get some more, the store had changed its name! And a famous name it wuz too. Such things happen when you abandon comics for a time…
Please don’t expect this collection to be a ‘downer’ there is so much beautiful and uplifting work here. I especially love ’A Light’ by Akiko Shimojima, and it’s cool to be in print alongside friends like Liam Sharp, John Ross and Nick Abadzis.
It was great fun drawing Temptation, and I want to mention a certain Wookie artist who helped me out: Dan Rachael. In the mysterious circles of publishing that I haunt, and in the dread coffee bar known as ‘Rep Blic’, Dan is famed for his talent with computer colouring: recreating, updating and generally face-lifting classic comic art. When I drew my strip I immediately thought of Dan to colour it, as we nearly speak the same language sometimes. Dan has done a great job here – for once on an artwork which isn’t over 30 years old! (Yet).
I can’t believe what a great job editor Alan Cowsill has done on pulling this together, and he’s scripted an intruiging piece of work here too. No mug, he got Rossy (mentioned above) to draw it.
Wow I am selling this thing so hard I almost signed off with Make Mine Marvel.
I hope you’ll all be getting the spirit of hope, dudes!
With Candle Man 2 just out in the UK here’s a chance to win a copy! The series has been described as ‘creepy and enthralling’ (Book Monthly), and ‘witty, smart, entertaining’ (Bibliophile Support Group). Plus: ‘A bright light in the fantasy genre,’ (Kirkus Reviews).
The Society of Dread is a darkly funny fantasy story for anyone from 9-99 and older! Theo Wickland, a modern-day teenager, has inherited the terrifying powers of a Victorian crime fighter. In fact, keep it to yourself, but Theo can MELT people – and he will need all his power to face the menace of Dr Pyre, and his slithering servants the vile crelp.
To win, here’s what you have to do. I want you to invent a book title, something weird, wacky, scary or intriguing. It can be funny, or just the coolest thing you can come up with. Don’t worry, your title will remain yours, and you can do what you like with it after – even write a book! My five favourite ones will receive Candle Man 2, with enough crazy creatures and fiendish figures to keep you checking under the bed for years.
Just visit here to enter!
Good luck, and watch out for the crelp!
I’ve just finished doing 14 events in schools and bookshops in Texas, which means I’ve spoken to around 2,000 kids and said to them all: ‘and then, before their eyes…. he melted.’
I spent five days in Lufkin, which isn’t the biggest place in the state, but by some quirk of planning and happenstance has the largest middle school in Texas.
Teachers have shaken my hand, baked me cookies, called me ‘Sir’, provided lifts in their enormous cars, rushed me out to drive-in delis for my lunchtime sandwich, and put chocolate shakes in my hand if I looked thirsty. The kids have got to know me, coming up to me in the corridor asking me to sign bits of paper, look at their cartoons and poems, and ask me to say ‘aloominum’ – they can’t believe we Brits pronounce every bit of ‘aluminium’.
Lufkin has been staging the musical ‘Oklahoma’ and it was a delight to see their version of the show, as well as the children wandering here and there in the corridors in period costume.
I’ve had three lunches with student groups, all of which have been accompanied by Candle Man cookies, baked in the shape of the snow globe Theo is given in Chapter one of book one. Kids have asked me great questions. How do you decide what size to make your characters? Why are Clarice and Chloe twins? Were you invited to the royal wedding?
My favourite question came from a boy at St Cyprian’s school, who at the end of my talk, asked in a quiet voice: ‘Is this the world?’
‘I’ll just check,’ I replied, looking at the ground below my feet. ‘Yes, yes, I believe it is.’
I realised afterwards he was probably asking if Candle Man was set in the real world. Still, we authors have to get out laughs somehow.
I have to give special mention to Diana Hineman who looked after me so well I had nothing to worry about except remembering to open my mouth when it was time for my events. With her family we went on one of my favourite excursions of the week, to the ‘Boil and Go’ crawfish restaurant.
The food is served out of a caravan on a street corner, heaved from a big boiling contraption like something out of ‘Deadliest Catch’. The customer gets a plate heaped with crustaceans – crab, crawfish, shrimp, plus sweetcorn and red potatoes. This spectacular feast is infused with hot spices which I was assured would make my lips burn later on in the evening – and they did.
The customers were families, beefy bikers in bandanas, a man in a multicoloured sombrero, and me. Our waitress was one of the schoolgirls I had spoken to in my events, and it was funny to see her delicately explaining how to twist, rip and pull a crayfish apart, in the midst of a crazy outdoor racket of music, traffic and raucous customers.
I mistakenly referred to Boil and Go, as ‘Boil–a-Bug’, when talking to Egmont about it, and since they call crawfish ‘mudbugs’ here, that could be a name to go forward with.
At the end of the feast, one of the kids at the table said to me in a confiding way: ‘this is the second most redneck thing you can do around here!’ On enquiry, the MOST redneck thing turned out to be ‘a bonfire in the country’. I think he meant a barbecue.
One less than brilliant trip was my signing at a book store almost an hour away up the road. My books hadn’t arrived on the right day, so I went to the shop the day after (when I would actually have something to sign). It was weird to sit in an empty, cavernous bookstore, next to a poster saying I had been there the day before. To cheer me up the owner said it had been empty the day before too.
Now I’m in Houston, and it is all change. My main amusement is that the put-upon reception guy in my hotel sounds exactly like Squidward so it’s fun asking him for stuff.
My final event – a signing at Barnes and Noble, gave me the chance to meet Laura Montgomery who is giving my book a great boost here. Outside of Tristus himself, I doubt if anyone has looked after the Candle Man so well. It was great to finally meet someone with such an insight into my book and talk to her about – well, Dr Who of course! Hi Laura, hi Diana… seeya Texas. A cold beer and then I’m outta here…